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The result: some of the greatest movies ever made.","\u002F8dQHjbWFvLbozZGF27i2giTLd22.jpg",7.8,5,[],[448,455],{"character":432,"credit_id":449,"order":450,"adult":67,"gender":331,"id":451,"known_for_department":388,"name":452,"original_name":452,"popularity":453,"profile_path":454},"6165a13650733c008bdba6b8",502,42,"Lars von Trier",2.733,"\u002Fa1zVySI0Yqqf3ORegQ1icMfvhAa.jpg",{"character":432,"credit_id":456,"order":457,"adult":67,"gender":331,"id":458,"known_for_department":394,"name":459,"original_name":459,"popularity":460,"profile_path":461},"6165a154b865eb00253cf901",505,2698,"Norman Lloyd",1.5951,"\u002Fz7jg1zuFfC5jqn4kI40OGAOrD5U.jpg",{"air_date":463,"episode_number":464,"episode_type":421,"id":465,"name":466,"overview":467,"production_code":350,"runtime":425,"season_number":11,"show_id":20,"still_path":468,"vote_average":469,"vote_count":347,"crew":470,"guest_stars":471},"2011-09-17",3,903565,"The Golden Age of World Cinema","The 1920s were a golden age for world cinema. The programme visits Paris, Berlin, Moscow, Shanghai and Tokyo to explore the places where movie makers were pushing the boundaries of the medium. German expressionism, Soviet montage and French impressionism and surrealism were passionate new film movements, but less well known are the glories of Chinese and Japanese films and the moving story of one of the great, now largely forgotten, movie stars, Ruan Lingyu.","\u002FeEhBaQpeP38lbpEQF3wc0CLTwZr.jpg",8.5,[],[472],{"character":432,"credit_id":473,"order":474,"adult":67,"gender":331,"id":475,"known_for_department":388,"name":476,"original_name":477,"popularity":478,"profile_path":479},"6165a5c06728a8008c92e21f",504,107762,"Aleksandr Sokurov","Александр Сокуров",0.8538,"\u002FoNLxLidA1BOuZ7OyQcQXWKcl4E0.jpg",{"air_date":481,"episode_number":347,"episode_type":421,"id":482,"name":483,"overview":484,"production_code":350,"runtime":425,"season_number":11,"show_id":20,"still_path":485,"vote_average":346,"vote_count":347,"crew":486,"guest_stars":487},"2011-09-24",903563,"The Arrival of Sound","The coming of sound in the 1930s upends everything. We watch the birth of new types of film: screwball comedies, gangster pictures, horror films, westerns and musicals, and discover a master of most of them, Howard Hawks. Alfred Hitchcock hits his stride and French directors become masters of mood.","\u002Fl4sJmOHUVNyCkCofhemlou5oHx4.jpg",[],[488],{"character":432,"credit_id":456,"order":457,"adult":67,"gender":331,"id":458,"known_for_department":394,"name":459,"original_name":459,"popularity":460,"profile_path":461},{"air_date":490,"episode_number":445,"episode_type":421,"id":491,"name":492,"overview":493,"production_code":350,"runtime":425,"season_number":11,"show_id":20,"still_path":494,"vote_average":346,"vote_count":347,"crew":495,"guest_stars":496},"2011-10-01",903561,"Post-War Cinema","Mark Cousins explores how the trauma of war led to more daring creations for cinema, focusing on the darkening of American film and the drama of the McCarthy years. Screenwriters Paul Schrader and Robert Towne discuss the era and Stanley Donen - director of Singin' in the Rain - talks about his career.","\u002Fb8OllgehKE81l32WxQQRRgb8Sba.jpg",[],[497,505,506],{"character":432,"credit_id":498,"order":499,"adult":67,"gender":331,"id":500,"known_for_department":501,"name":502,"original_name":502,"popularity":503,"profile_path":504},"6165a5679603310062c11ee9",503,1035,"Writing","Paul Schrader",1.7305,"\u002FctRxgCUSRFudwFaPG2AanL71Y3V.jpg",{"character":432,"credit_id":456,"order":457,"adult":67,"gender":331,"id":458,"known_for_department":394,"name":459,"original_name":459,"popularity":460,"profile_path":461},{"character":432,"credit_id":507,"order":508,"adult":67,"gender":331,"id":509,"known_for_department":501,"name":510,"original_name":510,"popularity":511,"profile_path":512},"6165a61a84591c00433243a4",514,11057,"Robert Towne",1.4854,"\u002FzyvIWuId4ayFSV8dCNlCndjdFLd.jpg",{"air_date":514,"episode_number":428,"episode_type":421,"id":515,"name":516,"overview":517,"production_code":350,"runtime":425,"season_number":11,"show_id":20,"still_path":518,"vote_average":346,"vote_count":347,"crew":519,"guest_stars":520},"2011-10-08",903567,"Sex & Melodrama","Sex and melodrama in the movies of the fifties: James Dean, On the Waterfront and glossy weepies. We travel to Egypt, India, China, Mexico, Britain and Japan to find that movies there were also full of rage and passion. Exclusive interviews include associates of Indian master Satyajit Ray; legendary Japanese actress Kyoko Kagawa, who starred in films by Akira Kurosawa and Yasujiro Ozu; and the first great African director, Youssef Chahine.","\u002FgiPj8SwhZ8OKrAcFoNatxo2gBA1.jpg",[],[521,529],{"character":432,"credit_id":522,"order":523,"adult":67,"gender":11,"id":524,"known_for_department":394,"name":525,"original_name":526,"popularity":527,"profile_path":528},"616816b7d7f465002a82b223",510,34374,"Kyōko Kagawa","香川京子",1.3819,"\u002Fq47wPwySJvhj6HQoYb7ON1TjbcV.jpg",{"character":432,"credit_id":530,"order":531,"adult":67,"gender":331,"id":532,"known_for_department":388,"name":533,"original_name":533,"popularity":534,"profile_path":535},"616816448fdda9004252e732",521,20023,"Youssef Chahine",1.3716,"\u002FeISYmf4YgY39B6ss0jbwwi2gJhz.jpg",{"air_date":537,"episode_number":234,"episode_type":421,"id":538,"name":539,"overview":540,"production_code":350,"runtime":425,"season_number":11,"show_id":20,"still_path":541,"vote_average":346,"vote_count":347,"crew":542,"guest_stars":543},"2011-10-15",903566,"European New Wave","The explosive story of film in the late fifties and sixties: The great movie star Claudia Cardinale talks exclusively about Federico Fellini; in Denmark, Lars von Trier describes his admiration for Ingmar Bergman; and Bernardo Bertolucci remembers his work with Pier Paolo Pasolini. French filmmakers plant a bomb under the movies, and the new wave it causes sweeps across Europe.","\u002FepQ1M2CLKdzdkZZBKKliFfSbPBe.jpg",[],[544,551,552],{"character":432,"credit_id":545,"order":546,"adult":67,"gender":11,"id":547,"known_for_department":394,"name":548,"original_name":548,"popularity":549,"profile_path":550},"6165a5368c40f70043490c81",501,4959,"Claudia Cardinale",2.8837,"\u002FgbTVdZGrOwteJ7qYSzyn8XpUk0H.jpg",{"character":432,"credit_id":449,"order":450,"adult":67,"gender":331,"id":451,"known_for_department":388,"name":452,"original_name":452,"popularity":453,"profile_path":454},{"character":432,"credit_id":498,"order":499,"adult":67,"gender":331,"id":500,"known_for_department":501,"name":502,"original_name":502,"popularity":503,"profile_path":504},{"air_date":554,"episode_number":427,"episode_type":421,"id":555,"name":556,"overview":557,"production_code":350,"runtime":425,"season_number":11,"show_id":20,"still_path":558,"vote_average":346,"vote_count":347,"crew":559,"guest_stars":560},"2011-10-22",903568,"New Directors, New Form","The dazzling 1960s in cinema around the world: In Hollywood, legendary cinematographer Haskell Wexler reveals how documentary influenced mainstream movies. Easy Rider and 2001: A Space Odyssey signal a new era in America cinema. We discover the films of Roman Polanski, Andrei Tarkvosky, and Nagisa Oshima. Black African cinema is born, and we talk exclusively to the Indian master director Mani Kaul.","\u002F6NdI7mW0AeTP4p3Yf03Ccx650Ik.jpg",[],[561,568,575,583],{"character":432,"credit_id":562,"order":563,"adult":67,"gender":331,"id":564,"known_for_department":388,"name":565,"original_name":565,"popularity":566,"profile_path":567},"616816e4158c85002c2db6dc",511,15488,"Ken Loach",2.2261,"\u002FvGtkrPgNeK3xkbbKTQ4vWD1VsEm.jpg",{"character":432,"credit_id":569,"order":570,"adult":67,"gender":331,"id":571,"known_for_department":388,"name":572,"original_name":572,"popularity":573,"profile_path":574},"616817408c22c0004418729e",512,1087762,"Mani Kaul",0.6933,"\u002FldPyadfoNE1ojaX6DjJY5G4BN91.jpg",{"character":432,"credit_id":576,"order":577,"adult":67,"gender":331,"id":578,"known_for_department":579,"name":580,"original_name":580,"popularity":581,"profile_path":582},"616816fe8fdda9002d2301c5",515,7067,"Camera","Haskell Wexler",1.0144,"\u002Fk3JSEg2tildKuFl6F6T1gLQSwgf.jpg",{"character":432,"credit_id":584,"order":585,"adult":67,"gender":11,"id":586,"known_for_department":388,"name":587,"original_name":587,"popularity":588,"profile_path":589},"6168171881c7be0065e6c766",532,20026,"Samira Makhmalbaf",0.6659,"\u002FA0gBIqxeSqvskpf2qcn7EDzmobc.jpg",{"air_date":591,"episode_number":592,"episode_type":421,"id":593,"name":594,"overview":595,"production_code":350,"runtime":596,"season_number":11,"show_id":20,"still_path":597,"vote_average":469,"vote_count":347,"crew":598,"guest_stars":599},"2011-10-29",9,903569,"American Cinema of the 70s","The maturing of American cinema of the late sixties and seventies: Buck Henry, writer of The Graduate, talks exclusively about movie satire of the time. Paul Schrader reveals his thoughts on his existential screenplay for Taxi Driver. Writer Robert Towne explores the dark ideas in Chinatown, and director Charles Burnett talks about the birth of Black American cinema.",62,"\u002Fl3cp1S9SVjXfNZjsCYoXdH7vnPz.jpg",[],[600,601,608,609,610],{"character":432,"credit_id":498,"order":499,"adult":67,"gender":331,"id":500,"known_for_department":501,"name":502,"original_name":502,"popularity":503,"profile_path":504},{"character":432,"credit_id":602,"order":603,"adult":67,"gender":331,"id":604,"known_for_department":394,"name":605,"original_name":605,"popularity":606,"profile_path":607},"61681765a80236005e366cfa",513,7795,"Buck Henry",1.7571,"\u002FiAOjaj5OHMMXno65MwmDtkqHeb6.jpg",{"character":432,"credit_id":507,"order":508,"adult":67,"gender":331,"id":509,"known_for_department":501,"name":510,"original_name":510,"popularity":511,"profile_path":512},{"character":432,"credit_id":576,"order":577,"adult":67,"gender":331,"id":578,"known_for_department":579,"name":580,"original_name":580,"popularity":581,"profile_path":582},{"character":432,"credit_id":611,"order":612,"adult":67,"gender":331,"id":613,"known_for_department":388,"name":614,"original_name":614,"popularity":615,"profile_path":616},"616817a781c7be0027c58608",516,97755,"Charles Burnett",0.8934,"\u002F798g9dlNawhj20PbP0w5U4eqq.jpg",{"air_date":618,"episode_number":619,"episode_type":421,"id":620,"name":621,"overview":622,"production_code":350,"runtime":425,"season_number":11,"show_id":20,"still_path":623,"vote_average":346,"vote_count":347,"crew":624,"guest_stars":625},"2011-11-05",10,903570,"Movies to Change the World","The movies that tried to change the world in the seventies: Wim Wenders in Germany; Ken Loach and Britain; Pasolini in Italy; the birth of new Australian cinema; and then Japan, which was making the most moving films in the world. Even bigger, bolder questions about film were being asked in Africa and South America, and the story ends with John Lennon’s favourite film, the extraordinary, psychedelic The Holy Mountain.","\u002F8IPBEIcFom72A2XQ6R8dQEeEsrP.jpg",[],[626,633,640,647],{"character":432,"credit_id":627,"order":628,"adult":67,"gender":331,"id":629,"known_for_department":394,"name":630,"original_name":630,"popularity":631,"profile_path":632},"6165a6d084591c008fc0e1c9",507,4783,"Sam Neill",5.5736,"\u002FiIfuxalf37xUayuGyK0zG7z6WEZ.jpg",{"character":432,"credit_id":634,"order":635,"adult":67,"gender":331,"id":636,"known_for_department":388,"name":637,"original_name":637,"popularity":638,"profile_path":639},"6165a7018c40f70091e48966",509,2303,"Wim Wenders",2.4507,"\u002F7Y4mkVstQxhegwlOwAsGRfZfHXC.jpg",{"character":432,"credit_id":641,"order":642,"adult":67,"gender":331,"id":643,"known_for_department":388,"name":644,"original_name":644,"popularity":645,"profile_path":646},"616818029d592c0044263776",517,4956,"Bernardo Bertolucci",1.5729,"\u002Fb0W7CtXxbo24sX8TPnDlLTYfc2E.jpg",{"character":432,"credit_id":648,"order":649,"adult":67,"gender":331,"id":650,"known_for_department":388,"name":651,"original_name":651,"popularity":652,"profile_path":653},"616817da8fdda9004252e85f",526,1153142,"Gaston Kaboré",0.7775,"\u002FbaKZufTJ17zJzYZ1Lc7QADj4BiL.jpg",{"air_date":655,"episode_number":656,"episode_type":421,"id":657,"name":658,"overview":659,"production_code":350,"runtime":425,"season_number":11,"show_id":20,"still_path":660,"vote_average":346,"vote_count":347,"crew":661,"guest_stars":662},"2011-11-12",11,903574,"The Arrival of Multiplexes and Asian Mainstream","Star Wars, Jaws and The Exorcist created the multiplexes, but they were also innovative. In India the world’s most famous movie star, Amitabh Bachchan, shows how Bollywood was doing new things in the seventies too. And we discover that Bruce Lee movies kick-started the kinetic films of Hong Kong, where master Yuen Woo-ping talks exclusively about his action movies and his wire fu choreography for The Matrix.","\u002FaDHO2aAuu9zMugXVjD3XtRdpFC3.jpg",[],[663,671,679,686,687,695,702,709],{"character":432,"credit_id":664,"order":665,"adult":67,"gender":331,"id":666,"known_for_department":388,"name":667,"original_name":668,"popularity":669,"profile_path":670},"616818289d592c002b5fe187",518,96861,"Stanley Kwan Kam-Pang","關錦鵬",1.1197,"\u002F9f9lTqF1xCcYN4g7pR1iOML4Pin.jpg",{"character":432,"credit_id":672,"order":673,"adult":67,"gender":331,"id":674,"known_for_department":388,"name":675,"original_name":676,"popularity":677,"profile_path":678},"6168184853866e0068073dc4",519,18899,"Yuen Woo-ping","袁和平",2.4687,"\u002FZUNnqF9qAp6QnYBtTwxHXihpro.jpg",{"character":432,"credit_id":680,"order":681,"adult":67,"gender":331,"id":682,"known_for_department":394,"name":683,"original_name":683,"popularity":684,"profile_path":685},"6168185de004a6004252f35f",520,35780,"Amitabh Bachchan",2.2073,"\u002Fu69PvpWqGkywSm0YjFiw77j9eqS.jpg",{"character":432,"credit_id":530,"order":531,"adult":67,"gender":331,"id":532,"known_for_department":388,"name":533,"original_name":533,"popularity":534,"profile_path":535},{"character":432,"credit_id":688,"order":689,"adult":67,"gender":331,"id":690,"known_for_department":388,"name":691,"original_name":692,"popularity":693,"profile_path":694},"6168189c3a9937008e458a8c",522,26760,"Tsui Hark","徐克",2.397,"\u002F9WTG1Feva6S7n09dxON40KHBsuk.jpg",{"character":432,"credit_id":696,"order":697,"adult":67,"gender":11,"id":698,"known_for_department":394,"name":699,"original_name":699,"popularity":700,"profile_path":701},"616818ab3a9937008e458a96",523,13753,"Sharmila Tagore",1.1922,"\u002Fm2MFSVdx4aKVoLRFPJoO5u0FMon.jpg",{"character":432,"credit_id":703,"order":704,"adult":67,"gender":331,"id":705,"known_for_department":501,"name":706,"original_name":706,"popularity":707,"profile_path":708},"616818be53866e0048ac3abb",524,81984,"Javed Akhtar",1.2505,"\u002FqKnvYtFvox7BhHy2Nx6YbcuSuIB.jpg",{"character":432,"credit_id":710,"order":711,"adult":67,"gender":11,"id":712,"known_for_department":394,"name":713,"original_name":713,"popularity":714,"profile_path":715},"616818d6681888004219e145",525,18737,"Mercedes McCambridge",1.3596,"\u002FtAc5xZvGieKhKuc2AEMoXNAtGFc.jpg",{"air_date":717,"episode_number":718,"episode_type":421,"id":719,"name":720,"overview":721,"production_code":350,"runtime":425,"season_number":11,"show_id":20,"still_path":722,"vote_average":427,"vote_count":347,"crew":723,"guest_stars":724},"2011-11-19",12,903572,"Fight the Power: Protest in Film","Protest in the movies of the 1980s: brave filmmakers spoke truth to power. American independent director John Sayles talks exclusively about these years. In Beijing, Chinese cinema blossomed before the Tiananmen crackdown. 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